The Pervert's Guide to Cinema

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(documentary)
THE PERVERT'S GUIDE TO CINEMA takes the viewer on an exhilarating ride through some of the greatest movies ever made. Serving as presenter and guide is the charismatic Slavoj Zizek, acclaimed philosopher and psychoanalyst. With his engaging and passionate approach to thinking, Zizek delves into the hidden language of cinema, uncovering what movies can tell us about ourselves. Whether he is untangling the famously baffling films of David Lynch, or overturning everything you thought you knew about Hitchcock, Zizek illuminates the screen with his passion, intellect, and unfailing sense of humour. THE PERVERT'S GUIDE TO CINEMA cuts its cloth from the very world of the movies it discusses; by shooting at original locations and from replica sets it creates the uncanny illusion that Zizek is speaking from 'within' the films themselves. Together the three parts construct a compelling dialectic of ideas. Described by The Times in London as 'the woman helming this Freudian inquest,' director Sophie Fiennes' collaboration with Slavoj Zizek illustrates the immediacy with which film and television can communicate complex ideas. Says Zizek: 'My big obsession is to make things clear. I can really explain a line of thought if I can somehow illustrate it in a scene from a film. THE PERVERT'S GUIDE TO CINEMA is really about what psychoanalysis can tell us about cinema.'

actors:

Slavoj Zizek

as Himself

directors:
Sophie Fiennes
rating:7.70

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Famous films are subject to Freudian analysis: its power, the matrix,
The Birds, Psycho, Vertigo, Duck Soup, Monkey Business, The Exorcist,
The Testament of Dr. Mabuse, Alien, Alien Resurrection, The Great
Dictator, City Lights, The Tramp, Alice in Wonderland, The Wizard of Oz
, Dr Strangelove, The Red Shoes, Fight Club, dead of night, the
Conversation, Velvet Blue, Solaris, Stalker, Mulholland Drive, Lost Highway
, person, in court, eyes Wide Shut, professor of piano, three
Colors: Blue, Dogville, Frankenstein, The Ten Commandments, saboteur,
Rear Window, to catch a thief, North by Northwest, Star Wars, Dune,
Kubanskie Kazaki, Ivan the Terrible, Pluto's Day of Reckoning (Walt Disney
) in Wild Heart.

You may wonder how the Marx Brothers come into play. According
Slavoj Zizek, the host and analyst of this tour intellectually tickled
of force, Groucho is superego, the ego Chico, Harpo and the id.

Scenes from the list above films are used to illustrate the concepts: the
role in shaping the fantasy from reality and vice versa, the father figure, men and
female libido, the death of unity, etc. Here are some of Slavoj
statements (as most paraphrase): "The desire is a wound in reality,"
"fantasy reality is a nightmare" "Music is the opium of the people"
(loans K. Marx), "of all human emotions, anxiety
is the only one that is not cheating." The set is bracketed by an introduction that
declares "not find their wishes in the movies, instead of
film tells what to desire," and concludes with the view cineaste
"The film is needed today so that we can understand our current
reality" - I mean, as long as the censorship is not fail.

The subdivision into three parts is purely mechanical, possibly with TV
screening into account. Goeran for the theater is irrelevant.
There is a danger to the critic / philosopher Slavoj Zizek
with his film, directed by Sophie Fiennes, who has a wonderful together
amalgam of silence, horror, science fiction, surreal and other contemporary
Police together to make ofr their Freudian comparisons
overload. However, in the pervert's Guide to Cinema also makes even the most far-reaching
points from a starting point for any analysis
I saw a group in the section of films. While
does not cover the vast territory of Scorsese's film documentaries cover the same
attachments are there, and Zizek has been a definite love of all these
"perverse" and examples of movies, especially the work of Hitchcock, Lynch, Tarkovsky and Chaplin
. However, one should not go see this if -
can find it, I have to do almost by luck-thinking Zizek
just try to dissect all the psycho-sexual or parts referring
in an obtuse, so deranged. If there is anything that opens up an
to points that could never be considered another way, I think that one of
three of the Marx brothers as representations of the Id, Ego and Super-Ego
(Harpo is the example of most dead-on for me).

He is not only to take on a classic, however, also believes that the
for reflection on The Matrix and Fight Club on the representations of the division between
fantasy and reality and whether the array of needs of the
much energy as the energy needs of the parent company of the former, and in
the attachment of violence in the management of its own, as well as
double in the second. Even throws in a fundamental piece of
time of the Revenge of the Sith, as Anakin becomes Darth Vader, and
consequences of rejecting the paternity of distance under which the mask back to
Very moment of its birth occurs in other places.
The ideals of fatherhood, male sexuality, the male point of view of turning fantasy into reality
(at which point Zizek rightly points out as a nightmare the moment
the creation), and the subjectivity of women, explores
perhaps the most dead-dizzy. This also goes for a scene that Zizek deconstructs
as if the Zapruder film, which dissects the three
clash points in the psycho-sexual stance of "not you look at me"
Scene in Blue Velvet.

Now would be one thing if he was himself Zizek sincere about
these, excited, and somewhat implausible points only face the
most of the camera or in voice off as Scorsese does. But going a step further
to accentuate the points of his fantasy and reality, and how overlapped
who was crossing, is converted into one and the same, or more spread out mainly in
Netherworld or some sentiment for some
primary characters (ie, Lost Highway) putting himself in places of the films will take place
Funniest inches is the first to see him on the boat "heading" towards
Tippi Hedren the same dock the boat heads to the top of
birds, it is equally funny as he waters the lawn Blue Velvet
going to explain the many facets of Frank Booth points, and only one, when
In that territory as Solaris, is it seems a bit affected. But Zizek
seems to be having a lot of fun with this set-up, and after a while a quid
ignores the potential of this trick and the words of Zizek
come through.

There were some movies that, of course, it is planned, mainly from
Hitchcock and Lynch, but a treatment for the film came from amateurs to see two things
-movies that one never think of seeing a film about the perverted
film titled Guide to the cinema (in the top two for me would be the
Pluto cartoons from Disney and exhibition on the films of Chaplin, though with
a great note on power and the distinction of "Voice"), and
that one has not seen yet (ie, the ventriloquist horror film, Dr. Mabuse
, Stalker, among some others) that inspire feelings immediately
"Wow, I have to do it immediately, no questions asked." Zizek is a mighty writer
with their work, and puts it on with a clarity that
Reminds one why we watch movies in the first place, to be entertained,
sure, but also those who have actual experience of sitting and somewhat
have up there, as he said, looking in a toilet.
Is probably one of the greatest movies on the cinema, and in this splendidly
close analysis of how the works of Freud in his own way movies
in connection with the wish, the ID / Super-Ego / Ego, and the supernatural in
fantasy, which may never see ... unless he finally starts distribution in
even the smallest level.

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See also: Documentary: Battle of Long Tan

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