The Deep End of the Ocean

Download Deep End of the Ocean, The
(drama)
The Deep End of The Ocean is a film about a family's reaction when Ben, the youngest son is kidnapped and then found ten years later, living in the same town.

actors:

Michelle Pfeiffer	as Beth Cappadora
Treat Williams	as Pat Cappadora
Whoopi Goldberg	as Candy Bliss
Jonathan Jackson	as Vincent Cappadora - Age 16
Cory Buck	as Vincent Cappadora - Age 7
Ryan Merriman	as Sam Karras/Ben Cappadora - Age 12
Alexa Vega	as Kerry Cappadora
Michael McGrady	as Jimmy Daugherty
Brenda Strong	as Ellen
Michael McElroy	as Ben Cappadora - Age 3
Tony Musante	as Grandpa Angelo
Rose Gregorio	as Grandma Rosie
John Kapelos	as George Karras
Lucinda Jenney	as Laurie
John Roselius	as Chief Bastokovich

directors:
Ulu Grosbard
rating:5.80

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I do not really have much to say about this film except that I do not feel the least bit of pain
by Pfeiffer or when Williams lost her son.
I really did not feel anything for any character at any level in this movie.

Consider the nature of Pfeiffer spent 9 years in Wallowa and self pity
by losing her son. Then, miraculously found her son who lives only 2
blocks from her, the character of Pfeiffer should have played the lottery
the film with this kind of blind luck. Here are
instantly recognized him when he comes to ask to cut your lawn (yeah sure). A plethora of police cars then
will recover his son. You can swear by all the police vehicles
going to go catch a serial murderer, but
are only going to get back his son. The police knock at the door only to find the
adoptive parent has no indication that the child is not her son and that only allows
their adoptive child to leave with the police without so much as a threat
Legal action! The son then discovers that he has no feelings for her emotional
royal family two weeks later and then only allows Pfeiffer
again with his father adopted? What? She drugs of abuse, neglect
their children and eventually found his son and now accepts that only
he wants to live with his adoptive father? cedar chest

The scene was also some of the lamest scriptwriting
I've witnessed. "Wait, I remember the smell." Yes kid, is a cedar chest and
cedar is used to keep moths away. What, do you Pfeiffer
blockade in the cedar chest when you were 2 years or something? Let's see the child
not recall the stuffed rabbit, but recalls playing hide and seek and seek
in cedar chest?!

I like Whoopi Goldberg in other films, but like all other
characters I have not misunderstood their role. For example, in
beginning of the film when Pfeiffer will play his gesture of kindness and Whoopi
shoots back in his chair. Whoopi then out of the blue
States that is gay and this is the reason for his pulling away from
Pfeiffer. Huh? How important is his being gay has nothing to do with
nothing in this movie? Let's see Whoopi is the chief of detectives and
everything that spends its time finding a child is abducted? What, no
drug dealers or murderers in Chicago?

Save your money in the store hire these people. I've seen some bad
made for television movies that are better than this garbage.
In a first impression, End of the deep ocean can be a story of a mother

of courage and all that, and it seems that there is no other way but the film can
be sappy and Mushy. In addition, it will give anyone who has a place
not very good relationship with their mothers gnawing an amount of guilt. But Schiff

screenwriter's take on the bestseller Mitchard and director Grosbard
moderation directs the film outside the trodden themes
substantially, though not entirely.
crashed warning
The film opens with the mother Beth Cappadora (Michelle Pfiffer) will
Chicago for his high school reunion with his two sons, Ben and
Vincent.
Ben gets lost in the hotel lobby full of people. Even with the help of the police detective and

Candy Bliss (Whoopi Goldberg), Beth and her husband Pat (Treat Williams
) are not able to find Ben. While everything around him starts
continue with life, Beth languishes in guilt, anger and pain. She retreats into
days of rest and pills. Their social relations are limited
with her husband and family but most ends up in anger and resentment.
In the process, you lose a lot of other things, and is a sinister
Vincent (Jonathan Jackson) who becomes a teenager
harbor resentment against its tion. As
life is beginning to go - Pat opened an Italian restaurant,

Kerry youngest child is growing up and move to Chicago - Beth suddenly
meets Ben (Ryan Merriman) after nine years. He has been raised by an adoptive parent
George (John Kapela), goes by the name and has no memory of his
royal family. Here begins the crux of the film, revealing to us the pain and
Ben complications of integration. Different emotions beef up this part of

film: joy, disorientation, the rivalry between brothers, anger, etc. Here the film
expands its focus to include emotional Vincent that develops its own
take on the situation. Ben, on the other hand, does well with
Cappadoras
missing his adoptive father and flee at night to sleep in your own bed
. Finally, Beth comes to realize that they are really giving the boy
pain instead of your home. She decided to give back to
George. But Ben
finally back and made a reconciliation with
Vincent
Although, the film effectively plumbs the proper
pathos and sense of family, however, decides on a resolution made more snappy
a history of the need to conclude that the desire to describe the life of the process, which
takes a little long and peculiar closure. In general, Deep End of the dose measured emotional
is excellent, hence, coming out effectively poignant, but not

totally convincing.
Let's deal with its poignant power. In addition to the film is tearjerking
innate quality, Grosbard manipulations do not fall into the pits sentimental,
although the film is very similar to a better quality of movies or television
special. The address is what you call sober, which is serious in its intention
spaying in life torn emotionally turbulent events
and not desperately tugging at the rope emotional hearing, playing with

their feelings and excruciatingly coaxing tears. His style remains devoid of

florida qualities, hence, not impressing the audience with stunning visuals,
momentous scenes and high-grade effects. Therefore, there is nothing in
impressed
the mind of the viewer visually, but that effectively serves the film's so simple
saying.
Schiff, who was a film critic at Vanity Fair before moving to
writing scripts, his screenplay adapted from the novel by Mitchard
of the same title.
seeks to represent beef and as many characters from the movie as possible

's father for child offenders, which is fine, only these projections

characters and their interests and background not do much for
the focus of the film and not really contribute to the film of the organisation.

At best, are mere appendages. With these efforts, however, he did not show
side of the adoptive parent adequately and thinking, I think

a more sympathetic character, besides Beth Cappadora, the mother and
son kidnapped.
Therefore, we have this feeling of fullness after seeing the film even though
sense that something is missing, we can not put our finger on. Majority
probably is, and that perhaps is all very well, the film has not

completely convincing. There are certain details left along the path that is
undisclosed
and can be tedious to enumerate. However, tend not to notice because
not rankle, but it left marks. And then caps it with a trail
dead end. Because the film must stop at one point, and what makes Deep End
and
and not too good to be abrupt and hasty, hence, the unconvincing nature


As for the actors, Pfeiffer emanates acting brilliance, taking advantage for us
a
pain of a loss. After a couple of functions and mother before this can

very well lead to other roles that she is sufficiently effective. Matching his
Jonathan Jackson is playing the offender son and the brother of
- kidnapped and later found-boy. The silent radiates with power in their
character. Goldberg also is notable because it is not
steals the limelight, but because of their appearance savers. The filmmakers know

likely to overwhelm their ability to maintain and its bay.
Deep End drama is that it can be a powerful drama, which is actually played

but not to the point of brilliance.

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Download Deep End of the Ocean, The
See also: Drama: Pathfinder

See also: Michelle Pfeiffer in Thousand Acres, A

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