What Lies Beneath

Download What Lies Beneath
(drama, horror, mystery, thriller)
Norman Spencer, a university research scientist, is growing more and more concerned about his wife, Claire, a retired concert cellist who a year ago was involved in a serious auto accident, and who has just sent off her daughter Caitlin (Norman's stepdaughter) to college. Now, Claire reports hearing voices and witnessing eerie occurrences in and around their lakeside Vermont home, including seeing the face of a young woman reflected in water. An increasingly frightened Claire thinks the phenomena have something to do with the couple living next door, especially since the wife has disappeared without apparent explanation. At her husband's urging, Claire starts to see a therapist; she tells him she thinks the house is being haunted by a ghost. His advice? Try to make contact. Enlisting the help of her best friend, Jody, and a ouija board, Claire seeks to find out the truth of What Lies Beneath.

actors:

Harrison Ford	as Dr. Norman Spencer
Michelle Pfeiffer	as Claire Spencer
Diana Scarwid	as Jody
Joe Morton	as Dr. Drayton
James Remar	as Warren Feur
Miranda Otto	as Mary Feur
Amber Valletta	as Madison Elizabeth Frank
Katharine Towne	as Caitlin Spencer
Victoria Bidewell	as Beatrice
Eliott Goretsky	as Teddy
Ray Baker	as Dr. Stan Powell
Wendy Crewson	as Elena
Sloane Shelton	as Mrs. Templeton
Tom Dahlgren	as Dean Templeton
Jayson Argento	as Cafe Customer

directors:
Robert Zemeckis
rating:6.50

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It is interesting to review the file reviews available on
EbertandRoeper.tv
and listen to your comments about this film and its perception of its ability to frighten
,
its technical construction, and his characters " ; success in helping the narrative.
Each of the respective
critics dislike what is below
both in its construction (
camerawork and plot development) and its effectiveness in creating suspense. While this film is

pleasant regardless of who was seen at the opening weekend or if

is the third or fourth watching on television, is more understandable that Ebert < br> and Roeper
had some problems with the film during its cinema exhibition (if

have altered their views from your DVD, I do not know). The real beauty of this film is

the manner in which it holds over time and how it does all the joints of the great film

techniques to form a good tribute to
classic suspense films.

The plot, including increasing the revelations of paranormal activity within the newly

- ido off to college without children at home Pfeiffer and Ford, is not really what < br>
drives this film. Ebert and Roeper complained in his criticism that there are too many

Red herrings that serve no purpose but to mislead the public, so that when

are exposed as mere ruses, much of its existence within the film is
superfluous. But that is
fun of the film. That's the fun of many classic films of suspense, even

many Hitchcock films. There are situations which are added as they lend a hand in

accumulation of fear, not the characters' fears, but viewers fears. In
Psycho, the image of the police
Leigh's face outside the window of the car, masked by sunglasses,
expressionless, and
hangs over the chamber is afraid to viewers . Yes fits into the script

because she is scared, as a result of its theft. But ultimately, the viewers
own fear of police "
tactics of intimidation that makes the actual scene. In What Lies Beneath,

hearing cries of anguish over a fence that offers no real visibility of the cause of such pain

is very similar. Who cares if it is mainly a device to build
malaise?

To be fair, Ebert and Roeper actually seemed more irritated that too

plot and its elements of mystery is revealed in the marketing of the film. The real cause of

disturbing that the characters are terrified by Pfeiffer
apparently revealed rather brazenly
in trailers and TV spots to promote the film.
hence, Ebert and Roeper
seemed more angry that even given the opportunity to enjoy the

development of the plot and the subsequent order. However, it is only know that their

argument seems to be more fallacious in its use of logic. I understand that

each person has a reaction to a film based on the uniqueness of their own tastes,
dislikes, and inclinations
gender, but there is an established set of development
Techniques
camera movements, designs and reliable lighting that causes an emotional reaction from viewers

. It is very difficult to find Ebert and Roeper's impervious to criticism
default when
this film does not tend to lose much of its emotional effects
to repeat viewings.

Develop, the ghost unknown, their motivation and their history and relevance
Claire
(Pfieffer) are plot points for the basic construction of a three acts
narrative , And a three-act narrative
invention is a proven effective for the assimilation of information

by recording inherent in the logic of using humans to invent concepts

raw data (where a, b then, and if b, c:, hence, if then c).
Subsequently, the artist
now has a template in which we attach to expressions of humanity that

create the emotional impact of the film (or play, etc.). In a sense, the structure of

What Lies Beneath is very simple and just tries to create a template
big enough to succeed in
allow the viewer to follow the basic narrative arc. The strength of the film

exists in the art of construction and how it is precisely orchestrated

get more emotional impact of the various moments of the film. Seeing the film

for the third or fourth time, the plot is nothing new or interesting, the characters are not
complex, however, the film
suspense continues. There is the development of the creation story
all of order;
Rather, Zemeckis is using the camera, their choices sound and light design, and its
precisely
ability to coordinate a lot of elements that allows the film to work as

whole. This is not a film that survive with your script. This is not a film that

survive alone their stars. This film is successful because of the options in
direction.

Finally, to counter the Ebert and Roeper irrational criticisms of this movie,

attention should be paid to its mention of films that are parallel to what is
Below, whether visual or thematic
reminiscent somehow. Roeper States
that the film has too many cliches
and that the end is reminiscent of Carrie, Cape Fear, and even

Gone with the wind. On the other side of the aisle, Ebert compares to the film Ghostbusters

moments of comedy because he found that they did not intend to be as
(although I did not find any
unintentionally comical scene ). The odd aspect of their criticism

is the absence of any mention of the numerous shots Zemeckis lifted directly from

several of Welles' films and a litany of shot selections that pay tribute to Hitchcock .

While this film is not innovative, is a great exercise in technique that results in a fun

effective film.
Unlike most movies that are "supposed" to cause fear or suspense, this one

actually pulled out. I'm not saying that you risk losing sleep over this
movie, but certainly has
parties where you will see or at least get startled
perhaps. Many critics felt this movie was predictable, but I do not agree, and although
history is nothing innovative, still has some
originality. Great acting by Harrison Ford and Michelle Phiffer
really make this movie what it is ... A good thriller. They convey the feelings

very well. Robert Zemeckis is also a great leader and angles that
used in this film will help to give more than mystery. The film is also driven by his great
banda sonora, reminiscant of Psycho-esque music. The film is

not exactly afraid, but it's a little freaky. I enjoyed this movie and much
its rental value of truth and if you see this type of film
over and over again and enjoy them, then your value of the purchase.

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Download What Lies Beneath
See also: Drama: Glory Road

See also: Harrison Ford in Blade Runner

See also Drama Gone with the Wind

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